Small Internet radio hit by new royalty rates
http://www.reuters.com/article/internetNews/idUSN1225136320070312
Under copyright law, owners of sound recordings must license their music for noninteractive webcasts and simulcasts. Webcasters and broadcasters may negotiate an individual rate directly with copyright owners or they may obtain the statutory compulsory license from government-designated agency SoundExchange at a set rate. SoundExchange must pay 50% of the royalties to the copyright owners (typically labels), 45% to featured artists and 5% to a union fund set up to pay background musicians and singers.
The last time rates were set in 2002 by the Librarian of Congress, broadcasters and the Recording Industry Assn. of America, the lobby group for the major U.S. labels, privately agreed that ad-based commercial services had the option to pay a fraction of a penny per stream or per aggregate tuning hour (the average number of songs played per hour, or ATH), multiplied by the number of users. Noncommercial broadcasters, like National Public Radio (NPR), would pay an annual flat fee between $500 and $2,500.
Meanwhile, Congress enacted the Small Webcasters Settlement Act, which essentially let the little guys pay a percentage of revenue. That law expired in 2005. With the CRB now deciding new rates for 2006-2010, commercial webcast and simulcast rates are $0.0008 per stream (up from about $0.0007), with a minimum of $500 annually per channel or station.
The hardest hit by the decision may be aggregators. SoundExchange reports that Live365 aggregates up to 5,000 stations, which may mean a minimum payment of $500 for each station. Boston-based Loud City, with two full-time employees, offers 500 channels, according to its Web site
Under copyright law, owners of sound recordings must license their music for noninteractive webcasts and simulcasts. Webcasters and broadcasters may negotiate an individual rate directly with copyright owners or they may obtain the statutory compulsory license from government-designated agency SoundExchange at a set rate. SoundExchange must pay 50% of the royalties to the copyright owners (typically labels), 45% to featured artists and 5% to a union fund set up to pay background musicians and singers.
The last time rates were set in 2002 by the Librarian of Congress, broadcasters and the Recording Industry Assn. of America, the lobby group for the major U.S. labels, privately agreed that ad-based commercial services had the option to pay a fraction of a penny per stream or per aggregate tuning hour (the average number of songs played per hour, or ATH), multiplied by the number of users. Noncommercial broadcasters, like National Public Radio (NPR), would pay an annual flat fee between $500 and $2,500.
Meanwhile, Congress enacted the Small Webcasters Settlement Act, which essentially let the little guys pay a percentage of revenue. That law expired in 2005. With the CRB now deciding new rates for 2006-2010, commercial webcast and simulcast rates are $0.0008 per stream (up from about $0.0007), with a minimum of $500 annually per channel or station.
The hardest hit by the decision may be aggregators. SoundExchange reports that Live365 aggregates up to 5,000 stations, which may mean a minimum payment of $500 for each station. Boston-based Loud City, with two full-time employees, offers 500 channels, according to its Web site
posted by Sherick at 3:03 AM
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